Bhuvanesh Komkali’s live performance reveals he’s in complete sync along with his legacy

Bhuvanesh komkali acting at Kaljayi in Bengaluru
| Picture Credit score: Vaishali Ok.S.

An experimentalist par excellence, a voyager into the unusual seas of sound, an exploiter of the expressive energy of music — Pt Kumar Gandharva was all this and extra. The Kumar Gandharva Pratishthan in affiliation with the Indira Gandhi Nationwide Centre for Arts and floor assist from ‘Saptak’ had organised ‘Kaljayi’, a two-day music competition at Ravindra Kalakshetra in Bengaluru, a music collection to have fun the legendary vocalist’s beginning centenary with floor assist from ‘Saptak’ Bengaluru. The occasion opened with a live performance by Bhuvanesh Komkali, the grandson of Pt Kumar Gandharva and the son of Pt Mukul Shivputra.

Bhuvanesh started his live performance with the ‘sandhi parakash’ raag Multani, ushering within the sombre great thing about the eventide. He set the tone with energetic improvisation of the favored vilambit khayal bandish, ‘Gokul gaav ki chora’. He gave the impression to be completely in sync with Kumar ji’s ‘decentred’ method, which is extra about temper creation reasonably than the incremental development discernible within the constructing of a melodic edifice. Bhuvanesh’s distinctive fashion of voice manufacturing with unmistakable inventive variations within the raag and bandish enthralled the viewers. It was an aesthetic presentation the place he tried to extract the poetic depth of the bandish to the fullest. Bhuvanesh’s exceptional ‘raagvistar’ Multani was matched by empathetic accompaniment on the samvadini by Pt Vyasmurthy Katti.

Within the brisk drut teen taal bandish ‘Dil bekarar’, Bhuvanesh executed a formidable mix of verbal enunciation and melodic exploration. Pt Ravindra Yawagal on the tabla enhanced the attraction of the cascading taans along with his mesmerising thrives.

Bhuvanesh Komkali

Bhuvanesh Komkali
| Picture Credit score:
Vaishali Ok.S.

After Multani , Bhuvanesh Komkali offered the Roopak taal bandish ‘Mara rasiya’ in raag Shyam Kalyan, offering fascinating glimpses of some unusual, and comparatively unexplored melodic passages. His rendition of the drut teen khayal ‘Sawan ki saanj moko sukhad bhayi’ confirmed how originality, s and verve lend an ethereal dimension to his music.

Throughout a quick dialog after the live performance, Bhuvanesh elaborated on the title ‘Kaljayi’. “The musical legacy of Kumarji transcends time. Musicians at present are fascinated by his distinctive method, which helped him uncover vibrant potentialities of the raags. We’re nonetheless attempting to understand the style wherein he bypassed the normal unfolding of the raag to concentrate on its melodic centre. He’s undoubtedly a ‘Kaljayi’, one who has vanquished the relentlessness of time that erases every little thing,” says Bhuvanesh.

You’re the heir of an enviable legacy, the inimitable gayaki of Pt Kumar Gandharva. What sort of pressures or expectations does it deliver with it?

“It’s exhilarating and unnerving on the similar time. I’m conscious of the expectations and the necessity to continuously re-invent my music . It may be rigorous and inexorable. I’ve my limitations and I strive my greatest. However , to be the torchbearer of a formidable legacy is usually a super accountability.”

Lastly, how do you assume this artwork, which must be enriched and sustained by way of the guru-sishya parampara, stand in a didigtally-driven world?

“There are some very earnest college students, who sincerely prepare. I additionally train on-line. Nevertheless, private interplay with the guru can’t be supplanted by anything,” says Bhuvanesh Komkali.

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