Sarodist Alam Khan and sitarist Arjun Verma group up with Del Sol Quartet for a brand new music album ‘The Resonance Between’

Sarodist Alam Khan and sitarist Arjun Verma with the ‘Resonance Between’ group.
| Photograph Credit score: Particular Association

“The place are you from?… Aap kahan se hain?” whispers a baby because the digicam pans on to a dense forest. In response, a jugalbandi of string devices begins — the sarod and sitar paved the way because the violin and viola maintain tempo; a cello provides heft because the percussive notes of the tabla create rhythm. The music is gorgeous. It transcends language, definition, boundaries, and thus solutions the query abstractly.

‘The Resonance Between’, an unlikely but seamless rendition of Hindustani classical blended with modern jazz, is sarodist Alam Khan’s newest collaborative launch, for which he has teamed up with sitarist Arjun Okay. Verma, composer Jack Perla and the Del Sol Quartet, with Ojas Adhiya, Ishaan Ghosh and Nilan Chaudhuri on the tabla.

Having been raised within the U.S., Alam Khan considers himself a product of the “MTV era”, , but his craft is firmly rooted within the historic custom of the Maihar gharana, of which his father sarod maestro Ali Akbar Khan was an exponent. Therefore, the youthful Khan has come to be identified for his distinctive amalgamation of various genres generally known as ‘Crossover music’.

‘The Resonance Between’ is a sonic exploration of the traditional ragas of the East, and exquisite harmonic structure of the West and their assembly level,” says Alam. He attributes its roots to the imaginative and prescient and innovation of his father, and grandfather Allauddin Khan. He’s clear about its intent, “As composers and performers from a mixed-race cultural upbringing, this music speaks to our particular person and collective journeys of discovering that world between worlds, that distinctive house of identification and creation.”

The album cover.

The album cowl.
| Photograph Credit score:
Particular Association

Arjun Verma, a disciple of the senior Khan and son of sitarist Roop Verma, who educated underneath Pt. Ravi Shankar and belonged to a wealthy musical lineage. Nevertheless, Arjun is fast to say that “music is music — a common human phenomenon”.

Equally, the Del Sol Quartet, finest identified for his or her mastery over Twenty first-century chamber music, aren’t new to cross-cultural collaborations. They’ve performed with quite a lot of non-western traditions together with Chinese language, Korean, Turkish, Persian, Andean, Mexican, and even some impressed by Carnatic music. Nevertheless, that is their collaboration with the sarod, sitar, and the tabla. .

Mix of types

“ We’re constructing a musical bridge between our upbringing in western classical music and Hindustani classical music. For us, which means adopting the refined nuances of pitch and groove that our superb composers make use of. On the identical time, we now have labored on growing stroke types in our bowing to mix with the sounds of the sarod and sitar,” says violist Charlton Lee.

It was a tricky process to form this grand experiment into a singular sound the place every element stood out whereas effortlessly mixing in collectively. But, composer Jack Perla, who’s skilled in cross-cultural collaborations, loved it tremendously. When requested about his course of, he debunks the thought of there being a “course of” to music, preferring to name it a journey that presents him with the chance to broaden his musical vocabulary and expression. “It permits me to journey someplace new, and to develop. After I work on cross-cultural collaborations, I attempt to dispense with acquainted habits and open up as a lot as doable to completely different concepts and methods of organising sound, melody, concord, rhythm, orchestration,” he says.

Jack calls the “main musical locus” of ‘The Resonance Between’ an actual hybrid, which leans towards a North Indian body. He believes the ultimate end result was seamless solely as a result of he put Alam Khan’s and Arjun Verma’s instincts earlier than his. “There have been so many cases the place I had a western composer’s intuition to offer fast distinction, to leap up an octave, present sharp reduction, trick the ear, and so forth.” But the musicians resolutely requested him to maintain issues easy. “I didn’t all the time agree at first, however because the challenge took form, there was a readability of musical intent . The outcomes ceaselessly jogged my memory of Beethoven — not all the time easy per se, however all the time so simple as doable; elemental and forceful”, says Jack.

Collaborative collection
Alam Khan
Ustad Allauddin Khan
Ustad Ali Akbar Khan

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